Only Yesterday: An Informal History of the 1920s (Harper Perennial Modern Classics), by Frederick Lewis Allen
“Prohibition. Al Capone. The President Harding scandals. The revolution of manners and morals. Black Tuesday. These are only an inkling of the events and figures characterizing the wild, tumultuous era that was the Roaring Twenties. Originally published in 1931, Only Yesterday traces the rise if post-World War I prosperity up to the Wall Street crash of 1929 against the colorful backdrop of flappers, speakeasies, the first radio, and the scandalous rise of skirt hemlines. Hailed as an instant classic, this is Frederick Lewis Allen's vivid and definitive account of one of the twentieth century's most fascinating decades, chronicling a time of both joy and terror--when dizzying highs were quickly succeeded by heartbreaking lows.”
This Side of Paradise, by F. Scott Fitzgerald
“This Side of Paradise is the debut novel by F. Scott Fitzgerald, published in 1920. The book examines the lives and morality of post–World War I youth. Its protagonist Amory Blaine is an attractive student at Princeton University who dabbles in literature. The novel explores the theme of love warped by greed and status seeking, and takes its title from a line of Rupert Brooke's poem Tiare Tahiti. The novel famously helped F. Scott Fitzgerald gain Zelda Sayre's hand in marriage; its publication was her condition of acceptance.”
A Flame of Pure Fire: Jack Dempsey and the Roaring ’20s, by Roger Kahn
“Jack Dempsey was perfectly suited to the time in which he fought, the time when the United States first felt the throb of its own overwhelming power. For eight years and two months after World War I, Dempsey, with his fierce good looks and matchless dedication to the kill, was heavyweight champion of the world. A Flame of Pure Fire is the extraordinary story of a man and a country growing to maturity in a blaze of strength and exuberance that nearly burned them to ash. Hobo, roughneck, fighter, lover, millionaire, movie star, and, finally, a gentleman of rare generosity and sincerity, Dempsey embodied an America grappling with the confusing demands of preeminence. Dempsey lived a life that touched every part of the American experience in the first half of the twentieth century. Roger Kahn, one of our preeminent writers about the human side of sport, has found in Dempsey a subject that matches his own manifold talents. A friend of Dempsey's and an insightful observer of the ways in which sport can measure a society's evolution, Kahn reaches a new and exciting stage in his acclaimed career with this book. In the story of a man John Lardner called "a flame of pure fire, at last a hero," Roger Kahn finds the heart of America.”
The First Red Scare
“The First Red Scare was a period during the early 20th-century history of the United States marked by a widespread fear of far-left extremism, including but not limited to Bolshevism and anarchism, due to real and imagined events; real events included the Russian 1917 October Revolution and anarchist bombings. At its height in 1919–1920, concerns over the effects of radical political agitation in American society and the alleged spread of communism and anarchism in the American labor movement fueled a general sense of concern. The Scare had its origins in the hyper-nationalism of World War I as well as the Russian Revolution. At the war's end, following the October Revolution, American authorities saw the threat of communist revolution in the actions of organized labor, including such disparate cases as the Seattle General Strike and the Boston Police Strike and then in the bombing campaign directed by anarchist groups at political and business leaders. Fueled by labor unrest and the anarchist bombings, and then spurred on by the Palmer Raids and attempts by United States Attorney General A. Mitchell Palmer to suppress radical organizations, it was characterized by exaggerated rhetoric, illegal search and seizures, unwarranted arrests and detentions, and the deportation of several hundred suspected radicals and anarchists. In addition, the growing anti-immigration nativist movement among Americans viewed increasing immigration from Southern Europe and Eastern Europe as a threat to American political and social stability. Bolshevism and the threat of a communist-inspired revolution in the U.S. became the overriding explanation for challenges to the social order, even for such largely unrelated events as incidents of interracial violence during the Red Summer of 1919. Fear of radicalism was used to explain the suppression of freedom of expression in the form of display of certain flags and banners. In April 1920, concerns peaked with J. Edgar Hoover telling the nation to prepare for a bloody uprising on May Day. Police and militias prepared for the worst, but May Day passed without incident. Soon, public opinion and the courts turned against Palmer, putting an end to his raids and the First Red Scare.”
Prohibition, by Ken Burns and Lynn Novick
“It's hard to comprehend now, but nearly a century ago, Americans were denied both the pleasures and evils of alcohol for a period of almost 14 years--a strange and tumultuous time chronicled in edifying detail in Ken Burns and Lynn Novick's Prohibition, a three-part (and three-disc) documentary first broadcast by PBS. Part One, "A Nation of Drunkards," contemplates the lead-up to Prohibition. And a long lead-up it was, as preachers, women alarmed by their husbands' debilitating drunkenness, and others were railing against the evils of drinking nearly 100 years before the 18th Amendment, which banned "the manufacture, sale, or transportation of intoxicating liquors," went into effect in January 1920. Calls for temperance in the mid-19th century soon gave way to strident demands for total abstinence, influenced by groups like the Women's Christian Temperance Union and the Anti-Saloon League, along with self-righteous crusaders like Carrie Nation (who wielded a hatchet as she decimated drinking establishments in her home state of Kansas). Once the federal income tax was introduced, thus eliminating government dependence on liquor taxes--which at one point accounted for 70 percent of all US revenue!--the path to passage of the amendment was cleared. But in their zeal to impose their morals on the rest of the country, the "Drys," as they were called, failed to foresee that enforcement of the amendment and its harsh enabling legislation, the Volstead Act, would be nearly impossible. That issue is examined in Part Two, "A Nation of Scofflaws," which describes the deluge of bribery, corruption, defiance of the law by ordinary citizens (the "Wets"), and, perhaps most notably, the enormous amounts of money to be made from the distribution of illegal liquor (which in turn led to the rise of Al Capone and many, many other powerful gangsters) that came in the law's wake. In Part Three, "A Nation of Hypocrites," we witness the ultimate failure of Prohibition, culminating in the repeal of the 18th Amendment in 1933. In the end, we're told, the rigid religious fundamentalism of the Drys, who refused to consider even the slightest modification of the law, was the principal cause of its downfall--accompanied, of course, by the simple fact that people love to drink.”
The Age of Innocence, by Edith Wharton
“The Age of Innocence is a 1920 novel by American author Edith Wharton. It was her twelfth novel, and was initially serialized in 1920 in four parts, in the magazine Pictorial Review. Later that year, it was released as a book by D. Appleton & Company. It won the 1921 Pulitzer Prize for Fiction, making Wharton the first woman to win the prize. Though the committee had initially agreed to give the award to Sinclair Lewis for Main Street, the judges, in rejecting his book on political grounds, "established Wharton as the American 'First Lady of Letters'". The story is set in the 1870s, in upper-class, "Gilded-Age" New York City. Wharton wrote the book in her 50s, after she had established herself as a strong author, with publishers clamoring for her work.”
Rothstein: The Life, Times, and Murder of the Criminal Genius Who Fixed the 1919 World Series, by David Pietrusza
“History remembers Arnold Rothstein as the man who fixed the 1919 World Series, an underworld genius. The real-life model for The Great Gatsby's Meyer Wolfsheim and Nathan Detroit from Guys and Dolls, Rothstein was much more -- and less -- than a fixer of baseball games. He was everything that made 1920s Manhattan roar. Featuring Jazz Age Broadway with its thugs, speakeasies, showgirls, political movers and shakers, and stars of the Golden Age of Sports, this is a biography of the man who dominated an age. Arnold Rothstein was a loan shark, pool shark, bookmaker, thief, fence of stolen property, political fixer, Wall Street swindler, labor racketeer, rumrunner, and mastermind of the modern drug trade. Among his monikers were "The Big Bankroll," "The Brain," and "The Man Uptown." This vivid account of Rothstein's life is also the story of con artists, crooked cops, politicians, gang lords, newsmen, speakeasy owners, gamblers and the like. Finally unraveling the mystery of Rothstein's November 1928 murder in a Times Square hotel room, David Pietrusza has cemented The Big Bankroll's place among the most influential and fascinating legendary American criminals.”
Nineteenth Amendment to the United States Constitution
“The Nineteenth Amendment (Amendment XIX) to the United States Constitution prohibits the United States and the states from denying the right to vote to citizens of the United States on the basis of sex, in effect recognizing the right of women to a vote. The amendment was the culmination of a decades-long movement for women's suffrage in the United States, at both the state and national levels, and was part of the worldwide movement towards women's suffrage and part of the wider women's rights movement. The first women's suffrage amendment was introduced in Congress in 1878. However, a suffrage amendment did not pass the House of Representatives until May 21, 1919, which was quickly followed by the Senate, on June 4, 1919. It was then submitted to the states for ratification, achieving the requisite 36 ratifications to secure adoption, and thereby go into effect, on August 18, 1920… The Nineteenth Amendment enfranchised 26 million American women in time for the 1920 U.S. presidential election, but the powerful women's voting bloc that many politicians feared failed to fully materialize until decades later. Additionally, the Nineteenth Amendment failed to fully enfranchise African American, Asian American, Hispanic American, and Native American women (see § Limitations). Shortly after the amendment's adoption, Alice Paul and the National Woman's Party began work on the Equal Rights Amendment, which they believed was a necessary additional step towards equality.”
Sacco and Vanzetti: The Men, the Murders, and the Judgment of Mankind, by Bruce Watson
“In this groundbreaking narrative of one of America’s most divisive trials and executions, award-winning journalist Bruce Watson mines deep archives and newly available sources to paint the most complete portrait available of the good shoemaker and the poor fish peddler. Opening with an explosion that rocks a quiet Washington, D.C., neighborhood and concluding with worldwide outrage as two men are executed despite widespread doubts about their guilt, Sacco & Vanzetti is the definitive history of an infamous case that still haunts the American imagination.”
Negro League Baseball
“The Negro leagues were United States professional baseball leagues comprising teams of African Americans and, to a lesser extent, Latin Americans. The term may be used broadly to include professional black teams outside the leagues and it may be used narrowly for the seven relatively successful leagues beginning in 1920 that are sometimes termed "Negro Major Leagues".
The Waste Land, by T. S. Eliot
“A new edition of T. S. Eliot's masterpiece, The Waste Land, originally published in 1922. Widely considered to be one of the most important poems of the 20th century and the seminal work of modernist poetry. A wide-ranging work, Eliot drew upon the legend of the Holy Grail and the Fisher King, along with literary and cultural allusions from the Western canon such as Dante's Divine Comedy and Shakespeare, Buddhism, and the Hindu Upanishads, interspersed with images of modern British society.”
The Teapot Dome Scandal: How Big Oil Bought the Harding White House and Tried to Steal the Country, by Laton McCartney
“Mix hundreds of millions of dollars in petroleum reserves; rapacious oil barons and crooked politicians; under-the-table payoffs; murder, suicide, and blackmail; White House cronyism; and the excesses of the Jazz Age. The result: the granddaddy of all American political scandals, Teapot Dome. In The Teapot Dome Scandal, acclaimed author Laton McCartney tells the amazing, complex, and at times ribald story of how Big Oil handpicked Warren G. Harding, an obscure Ohio senator, to serve as our twenty-third president. Harding and his so-called “oil cabinet” made it possible for the oilmen to secure vast oil reserves that had been set aside for use by the U.S. Navy. In exchange, the oilmen paid off senior government officials, bribed newspaper publishers, and covered the GOP campaign debt. When news of the scandal finally emerged, the consequences were disastrous for the nation and for the principles in the plot to bilk the taxpayers: Harding’s administration was hamstrung; Americans’ confidence in their government plummeted; Secretary of the Interior Albert Fall was indicted, convicted, and incarcerated; and others implicated in the affair suffered similarly dire fates. Stonewalling by members of Harding’s circle kept a lid on the story–witnesses developed “faulty” memories or fled the country, and important documents went missing–but contemporary records newly made available to McCartney reveal a shocking, revelatory picture of just how far-reaching the affair was, how high the stakes, and how powerful the conspirators. In giving us a gimlet-eyed but endlessly entertaining portrait of the men and women who made a tempest of Teapot Dome, Laton McCartney again displays his gift for faithfully rendering history with the narrative touch of an accomplished novelist.”
Coolidge, by Amity Shlaes
“Amity Shlaes, author of The Forgotten Man, delivers a brilliant and provocative reexamination of America’s thirtieth president, Calvin Coolidge, and the decade of unparalleled growth that the nation enjoyed under his leadership. In this riveting biography, Shlaes traces Coolidge’s improbable rise from a tiny town in New England to a youth so unpopular he was shut out of college fraternities at Amherst College up through Massachusetts politics. After a divisive period of government excess and corruption, Coolidge restored national trust in Washington and achieved what few other peacetime presidents have: He left office with a federal budget smaller than the one he inherited. A man of calm discipline, he lived by example, renting half of a two-family house for his entire political career rather than compromise his political work by taking on debt. Renowned as a throwback, Coolidge was in fact strikingly modern—an advocate of women’s suffrage and a radio pioneer. At once a revision of man and economics, Coolidge gestures to the country we once were and reminds us of qualities we had forgotten and can use today.”
Mellon: An American Life, by David Cannadine
“A landmark work from one of the preeminent historians of our time: the first published biography of Andrew W. Mellon, the American colossus who bestrode the worlds of industry, government, and philanthropy, leaving his transformative stamp on each. Following a boyhood in nineteenth-century Pittsburgh, during which he learned from his Scotch-Irish immigrant father the lessons of self-sufficiency and accumulation of wealth, Andrew Mellon overcame painful shyness to become one of America’s greatest financiers. Across an unusually diverse range of enterprises, from banking to oil to aluminum manufacture, he would build a legendary personal fortune, tracking America’s course to global economic supremacy. Personal happiness, however, eluded him: his loveless marriage at forty-five to a British girl less than half his age ended in a scandalous divorce, and for all his best efforts, he would remain a stranger to his children. He had been bred to do one thing, and that he did with brilliant and innovative entrepreneurship. The Mellon way was to hold companies closely, including such iconic enterprises as Alcoa and Gulf Oil. Collecting art, a pursuit inspired by his close friend Henry Clay Frick, would become his only nonprofessional gratification. And by the end of his life, Mellon’s “pictures” would constitute one of the world’s foremost private collections. Mellon’s wealth and name allowed him to dominate Pennsylvania politics, and late in life he was invited to Washington. As treasury secretary under Presidents Harding, Coolidge, and finally Hoover, he made the federal government run like a business—prefiguring the public official as CEO. But this man of straightforward conservative politics was no politician. He would be hailed as the architect of the Roaring Twenties, but, staying too long, would be blamed for the Great Depression, eventually to find himself a broken idol.”
The Life of Langston Hughes: Volume I: 1902-1941: I, Too, Sing America, by Arnold Rampersad
“Poet, playwright, novelist, a grand figure in the Harlem Renaissance of the 1920s--Langston Hughes was one of the most extraordinary and prolific American writers of this century. This book is the first installment of a projected two-volume life that will undoubtedly be the definitive biography of Hughes. Based on exhaustive research in archival collections throughout the country and abroad but primarily in the Langston Hughes Papers (previously closed to most scholars) at the Beinecke Library of Yale University, the book traces in detail Hughes's life from his birth in Missouri in 1902 to the winter of 1941. Descended from a family steeped in radical Abolitionism (an ancestor had fought and died with John Brown at Harper's Ferry), Hughes was a driven man who often gave the appearance of a happy wanderer. His nomadic life led him to Mexico in 1919 and 1920, Africa in 1923, Europe in 1924, and the Soviet Union in 1932. After his exhilarating Russian travels, he completed a journey around the world by way of China and Japan, and in 1937, he spent several months in besieged Madrid at the height of the Spanish Civil War. Hughes's greatest devotion, however, was to the word. Inspired by both the democratic chants of Walt Whitman and the vibrant forms of Afro-American culture, he became the most original and revered of black poets as well as a fiction writer and dramatist of considerable power. Although his political vision was often radical and his sense of injustice acute, he faced the world as an open, laughing, and gregarious man. Yet, as this compelling biography shows, there lurked beneath the laughter a gnawing loneliness that Hughes strove to overcome in his devotion to his art and his ideal vision of America.”
Empire of Dreams: The Epic Life of Cecil B. DeMille, Scott Eyman
“As a child DeMille learned the Bible from his father, a theology student and playwright who introduced Cecil and his older brother, William, to the theater. Tutored by impresario David Belasco, DeMille discovered how audiences responded to showmanship: sets, lights, costumes, etc. He took this knowledge with him to Los Angeles in 1913, where he became one of the movie pioneers, in partnership with Jesse Lasky and Lasky’s brother-in-law Samuel Goldfish (later Goldwyn). Working out of a barn on streets fragrant with orange blossom and pepper trees, the Lasky company turned out a string of successful silents, most of them directed by DeMille, who became one of the biggest names of the silent era. With films such as The Squaw Man, Brewster’s Millions, Joan the Woman, and Don’t Change Your Husband, he was the creative backbone of what would become Paramount Studios. In 1923 he filmed his first version of The Ten Commandments and later a second biblical epic, King of Kings, both enormous box-office successes.”
The Collection, Bessie Smith
“Backed by a rotating roster of jazz stars, Smith's potent delivery made her a peerless star of classic female blues, combining a fiercely independent, almost defiant approach with subtly effective tinges of vulnerability. Early cuts such as "Downhearted Blues," which supposedly saved Columbia records from extinction in 1923, and "T'aint Nobody's Bizness If I Do" feature only Clarence Williams's piano behind her, but it's her work with Louis Armstrong that truly stands out-Satchmo majestically bobs and weaves his cornet around Smith's lines on "St. Louis Blues," "Reckless Blues," "I Ain't Gonna Play No Second Fiddle," and the ragtime chestnut "You've Been a Good Old Wagon." Unfortunately, Columbia offers buyers only two options: this cursory 16-song introduction or an exhaustive five-volume double-CD series.”
Charles Evans Hughes
“Charles Evans Hughes Sr. (April 11, 1862 – August 27, 1948) was an American statesman, politician and jurist who served as the 11th Chief Justice of the United States from 1930 to 1941. A member of the Republican Party, he was also the 36th Governor of New York, the Republican nominee for president of the United States in the 1916 presidential election, and the 44th United States Secretary of State… Hughes served as an Associate Justice until 1916, when he resigned from the bench to accept the Republican presidential nomination. Though Hughes was widely viewed as the favorite in the race against incumbent Democratic President Woodrow Wilson, Wilson won a narrow victory. After Warren G. Harding won the 1920 presidential election, Hughes accepted Harding's invitation to serve as Secretary of State. Serving under Harding and Calvin Coolidge, he negotiated the Washington Naval Treaty, which was designed to prevent a naval arms race among the United States, the United Kingdom, and Japan. Hughes left office in 1925 and returned to private practice, becoming one of the most prominent attorneys in the country.”
Harlem Renaissance
“The Harlem Renaissance was an intellectual and cultural revival of African American music, dance, art, fashion, literature, theater and politics centered in Harlem, Manhattan, New York City, spanning the 1920s and 1930s. At the time, it was known as the "New Negro Movement", named after The New Negro, a 1925 anthology edited by Alain Locke. The movement also included the new African American cultural expressions across the urban areas in the Northeast and Midwest United States affected by a renewed militancy in the general struggle for civil rights for African Americans that occurred in the wake of civil rights struggles in the then-still-segregated US Armed Forces in WWI and which was further inspired by the NAACP, the Garveyite movement and the Russian Revolution, combined with the Great Migration of African American workers fleeing the racist conditions of the Jim Crow Deep South, Harlem being the final destination of the largest number of those who migrated north. Though it was centered in the Harlem neighborhood, many francophone black writers from African and Caribbean colonies who lived in Paris were also influenced by the movement, which spanned from about 1918 until the mid-1930s. Many of its ideas lived on much longer. The zenith of this "flowering of Negro literature", as James Weldon Johnson preferred to call the Harlem Renaissance, took place between 1924—when Opportunity: A Journal of Negro Life hosted a party for black writers where many white publishers were in attendance—and 1929, the year of the stock-market crash and the beginning of the Great Depression. The Harlem Renaissance is considered to have been a rebirth of the African-American arts. Many people[who?] would argue that the Harlem Renaissance never ended and has continued to be an important cultural force in the United States through the decades: from the age of stride piano jazz and blues to the ages of bebop, rock and roll, soul, disco and hip-hop.”
Scott Fitzgerald: A Biography, by Jeffrey Meyers
“Scott Fitzgerald, a romantic and tragic figure who embodied the decades between the two world wars, was a writer who took his material almost entirely from his life. Despite his early success with The Great Gatsby, Fitzgerald battled against failure and disappointment. This book, by the acclaimed biographer of Hemingway, is the first to analyze frankly the meaning as well as the events of Fitzgerald's life and to illuminate the recurrent patterns that reveal his inner self. Meyers emphasizes Fitzgerald's alcoholism, Zelda's illnesses and her doctors, Fitzgerald's love affairs both before and after her breakdown, and his wide-ranging friendships, from the polo star Tommy Hitchcock to the Hollywood executive Irving Thalberg. His writer friends included Ring Lardner, John Dos Passos, James Joyce, Edith Wharton, and Dorothy Parker. His friend and lifelong hero, Ernest Hemingway, was a harsh critic of both his behavior and his novels, but Fitzgerald accepted this with remarkable humility. Meyers portrays the volatile connection between these two writers and Fitzgerald's marriage to the schizophrenic Zelda with insight and poignancy. Meyers also discusses Fitzgerald's fascinating relationship with his daughter, Scottie. Exercising a fine critical balance, he details Fitzgerald's weaknesses but ultimately reveals a man capable of fierce loyalty and great moral courage.”
Zelda Fitzgerald: The Tragic, Meticulously Researched Biography of the Jazz Age’s High Priestess, by Sally Cline
“Zelda Fitzgerald was the mythical American Dream Girl of the Roaring Twenties who became, in the words of her husband, F. Scott Fitzgerald, “the first American flapper.” Their romance transformed a symbol of glamour and spectacle of the Jazz Age. When Zelda cracked up, not long after the stock market crash of 1929, Scott remained loyal to her through a nightmare of later breakdowns and final madness. Sally Cline brings us a trenchantly authentic voice through Zelda’s own highly autobiographical writings and hundreds of letters she wrote to friends and family, publishers and others. New medical evidence and interviews with Zelda’s last psychiatrist suggest that her “insanity” may have been less a specific clinical condition than the product of the treatment she endured for schizophrenia and her husband’s devastating alcoholism. In narrating Zelda’s tumultuous life, Cline vividly evokes the circle of Jazz Age friends that included Edmund Wilson, Ernest Hemingway, John Dos Passos, Dorothy Parker, Lillian Hellman, and H. L. Mencken. Her exhaustive research and incisive analysis animate a profoundly moving portrait of Zelda and provide a convincing context to the legacy of her tragedy.”
The Complete Hot Five & Hot Seven Recordings (CD), Louis Armstrong
“Everybody knows Louis Armstrong--even if it's just for his heart-pleasing renditions of "Hello Dolly" and "What a Wonderful World." Well, this four-CD box set marking the 100th anniversary of his birth--give or take a year--contains some of his most groundbreaking, historic works. Recorded between 1925 and 1929, the Complete Hot Five and Hot Seven Recordings find Armstrong with more than able cohorts, including pianists Earl "Fatha" Hines and Lillian Hardin (Armstrong's second wife), clarinetist-saxophonist Johnny Dodds, and trombonist Kid Ory. Recorded when Armstrong was emerging from the influence of his idol, Joe "King" Oliver, these sides feature the main staples of the Armstrong canon, including "Potato Head Blues," "Big Butter and Egg Man," "Cornet Chop Suey" and the Armstrong-Hines duet "Weather Bird." The jewel of the collection is "West End Blues," with Armstrong's stratospheric, pyramid-structured solo, which ranks as one of the greatest in the history of music. The sessions also mark an important technological breakthrough, with the transition from acoustic to electrical recording. Armstrong's virtuosity on the cornet and trumpet alone would have been enough to ensure his fame. On the 1927 song "Heebie Jeebies," he forgot the lyrics and scatted them and became the first jazz singer, paving the way for Sarah Vaughan, Ella Fitzgerald, and Betty Carter. All in all, this set shows that Louis Armstrong's heroic talents enabled him to become the alpha and omega of 20th century music. As author Robert O'Meally, who wrote the superb liner notes to this well-packaged collection, puts it, "like Chaucer's poetry, which virtually begins the process of codifying the English language as a medium for sophisticated versification, Armstrong's Hot Fives and Hot Sevens provide a wide launching pad from which the history of the art of jazz takes flight."”
Flapper: A Madcap Story of Sex, Style, Celebrity, and the Women Who Made America Modern, by Joshua Zeitz
“Blithely flinging aside the Victorian manners that kept her disapproving mother corseted, the New Woman of the 1920s puffed cigarettes, snuck gin, hiked her hemlines, danced the Charleston, and necked in roadsters. More important, she earned her own keep, controlled her own destiny, and secured liberties that modern women take for granted. Her newfound freedom heralded a radical change in American culture. Whisking us from the Alabama country club where Zelda Sayre first caught the eye of F. Scott Fitzgerald to Muncie, Indiana, where would-be flappers begged their mothers for silk stockings, to the Manhattan speakeasies where patrons partied till daybreak, historian Joshua Zeitz brings the era to exhilarating life. This is the story of America’s first sexual revolution, its first merchants of cool, its first celebrities, and its most sparkling advertisement for the right to pursue happiness. The men and women who made the flapper were a diverse lot. There was Coco Chanel, the French orphan who redefined the feminine form and silhouette, helping to free women from the torturous corsets and crinolines that had served as tools of social control. Three thousand miles away, Lois Long, the daughter of a Connecticut clergyman, christened herself “Lipstick” and gave New Yorker readers a thrilling entrée into Manhattan’s extravagant Jazz Age nightlife. In California, where orange groves gave way to studio lots and fairytale mansions, three of America’s first celebrities—Clara Bow, Colleen Moore, and Louise Brooks, Hollywood’s great flapper triumvirate—fired the imaginations of millions of filmgoers. Dallas-born fashion artist Gordon Conway and Utah-born cartoonist John Held crafted magazine covers that captured the electricity of the social revolution sweeping the United States. Bruce Barton and Edward Bernays, pioneers of advertising and public relations, taught big business how to harness the dreams and anxieties of a newly industrial America—and a nation of consumers was born. Towering above all were Zelda and Scott Fitzgerald, whose swift ascent and spectacular fall embodied the glamour and excess of the era that would come to an abrupt end on Black Tuesday, when the stock market collapsed and rendered the age of abundance and frivolity instantly obsolete. With its heady cocktail of storytelling and big ideas, Flapper is a dazzling look at the women who launched the first truly modern decade.”
Houdini!!!: The Career of Ehrich Weiss, by Kenneth Silverman
“This lively biography of the great magician and escape artist Harry Houdini (1874-1926) benefits from the erudition and enthusiasm of Silverman, who won a Pulitzer for his The Life and Times of Cotton Mather. Silverman's account provides more detail than previous biographies about Houdini's early years, showing how Ehrich Weiss, a scrappy Jewish kid from Wisconsin, endured a grueling apprenticeship in vaudeville as an acrobat, magician and medicine-show shill to become the most famous performer of his age. Because Houdini was a notoriously private man, Silverman focuses on the magician's life as a touring artist. Regrettably, Houdini's most famous feats? the Milk-Can Escape, the Manacled Bridge Jump, the Chinese Water Torture Cell? aren't as riveting to read about, no matter how well described, as they must have been to witness; moreover, Silverman, as a former professional magician, feels obligated not to reveal how they were done. The narrative picks up in later chapters, however, as it relates Houdini's campaign against fraudulent spiritualists. Here, the magicians' bond of secrecy doesn't apply, and Silverman's relating of how Houdini exposed the tricks of the medium's trade makes for hilarious reading. There's also a minor revelation in the book? Houdini's affair with Jack London's widow? and a fascinating account of his friendship and falling-out with Sir Arthur Conan Doyle. The biography finds its ultimate success, however, in its portrait of Houdini himself, as sentimental yet calculating, generous yet penny-pinching, goodhearted yet relentlessly self-promoting. It also excels in depicting an era in show business that at least equaled our own in shamelessness, raw energy and cheerful cynicism.”
Summer for the Gods: The Scopes Trial and America’s Continuing Debate over Science and Religion, Edward J. Larson
“In the summer of 1925, the sleepy hamlet of Dayton, Tennessee, became the setting for one of the 20th century's most contentious courtroom dramas, pitting William Jennings Bryan and the anti-Darwinists against a teacher named John Scopes, represented by Clarence Darrow and the ACLU, in a famous debate over science, religion, and their place in public education. That trial marked the start of a battle that continues to this day - in cities and states throughout the country. Edward Larson's classic Summer for the Gods - winner of the Pulitzer Prize in History - is the single most authoritative account of this pivotal event. An afterword assesses the state of the battle between creationism and evolution, and points the way to how it might potentially be resolved.”
Wrapped in Rainbows: The Life of Zora Neale Hurston, by Valerie Boyd
“A woman of enormous talent and remarkable drive, Zora Neale Hurston published seven books, many short stories, and several articles and plays over a career that spanned more than thirty years. Today, nearly every black woman writer of significance—including Maya Angelou, Toni Morrison, and Alice Walker—acknowledges Hurston as a literary foremother, and her 1937 masterpiece Their Eyes Were Watching God has become a crucial part of the modern literary canon. Wrapped in Rainbows, the first biography of Zora Neale Hurston in more than twenty-five years, illuminates the adventures, complexities, and sorrows of an extraordinary life. Acclaimed journalist Valerie Boyd delves into Hurston’s history—her youth in the country’s first incorporated all-black town, her friendships with luminaries such as Langston Hughes, her sexuality and short-lived marriages, and her mysterious relationship with vodoo. With the Harlem Renaissance, the Great Depression, and World War II as historical backdrops, Wrapped in Rainbows not only positions Hurston’s work in her time but also offers riveting implications for our own.”
Charmed Circle: Gertrude Stein & Company, by James R. Mellow
“On almost every Saturday of the first half of the twentieth century, Gertrude Stein would open her door to the likes of Picasso and Matisse, Hemingway and Fitzgerald, Cocteau and Apollinaire, welcoming them into a salon alive with vivid avant-garde paintings and sparkling intellectual conversation. In Charmed Circle, James R. Mellow has re-created this fascinating world and the complex woman who dominated it. His engaging narrative illuminates Stein’s writing—now celebrated along with the work of such literary giants as Joyce and Woolf—including her difficult early periods, which adapted cubism and abstraction to the written word. Rich with detail and insight, it conveys both the serene rhythms of daily life with her devoted partner, Alice B. Toklas, and the radical pulse and dramatic upheavals of her exciting era.”
The Sun Also Rises, by Ernest Hemingway
“The Sun Also Rises is a 1926 novel by American writer Ernest Hemingway, his first, that portrays American and British expatriates who travel from Paris to the Festival of San Fermín in Pamplona to watch the running of the bulls and the bullfights. An early and enduring modernist novel, it received mixed reviews upon publication. However, Hemingway biographer Jeffrey Meyers writes that it is now "recognized as Hemingway's greatest work", and Hemingway scholar Linda Wagner-Martin calls it his most important novel. The novel was published in the United States in October 1926 by Scribner's. A year later, Jonathan Cape published the novel in London under the title Fiesta. It remains in print. The novel is a roman à clef: the characters are based on real people in Hemingway's circle, and the action is based on real events, particularly Hemingway's life in Paris in the 1920s and a trip to Spain in 1925 for the Pamplona festival and fishing in the Pyrenees. Hemingway presents his notion that the "Lost Generation"—considered to have been decadent, dissolute, and irretrievably damaged by World War I—was in fact resilient and strong. Hemingway investigates the themes of love and death, the revivifying power of nature, and the concept of masculinity. His spare writing style, combined with his restrained use of description to convey characterizations and action, demonstrates his "Iceberg Theory" of writing.”
Anything Goes: A Biography of the Roaring Twenties, by Lucy Moore
“The glitter of 1920s America was seductive, from jazz, flappers, and wild all- night parties to the birth of Hollywood and a glamorous gangster-led crime scene flourishing under Prohibition. But the period was also punctuated by momentous events-the political show trials of Sacco and Vanzetti, the huge Ku Klux Klan march down Washington DC's Pennsylvania Avenue-and it produced a dizzying array of writers, musicians, and film stars, from F. Scott Fitzgerald to Bessie Smith and Charlie Chaplin. In Anything Goes, Lucy Moore interweaves the stories of the compelling people and events that characterized the decade to produce a gripping portrait of the Jazz Age. She reveals that the Roaring Twenties were more than just "the years between wars." It was an epoch of passion and change-an age, she observes, not unlike our own.”
Pops: A Life of Louis Armstrong, by Terry Teachout
“Louis Armstrong is widely known as the greatest jazz musician of the twentieth century. He was a phenomenally gifted and imaginative artist, and an entertainer so irresistibly magnetic that he knocked the Beatles off the top of the charts four decades after he cut his first record. Offstage he was witty, introspective, and unexpectedly complex, a beloved colleague with an explosive temper whose larger-than-life personality was tougher and more sharp-edged than his worshiping fans ever knew. Wall Street Journal critic Terry Teachout has drawn on a cache of important new sources unavailable to previous biographers, including hundreds of candid after-hours recordings made by Armstrong himself, to craft a sweeping new narrative biography.”
The Great Gatsby, by F. Scott Fitzgerald
“The Great Gatsby, F. Scott Fitzgerald’s third book, stands as the supreme achievement of his career. First published in 1925, this quintessential novel of the Jazz Age has been acclaimed by generations of readers. The story of the mysteriously wealthy Jay Gatsby and his love for the beautiful Daisy Buchanan, of lavish parties on Long Island at a time when The New York Times noted “gin was the national drink and sex the national obsession,” it is an exquisitely crafted tale of America in the 1920s.”
Duke: A Life of Duke Ellington, by Terry Teachout
“Edward Kennedy “Duke” Ellington was the greatest jazz composer of the twentieth century—and an impenetrably enigmatic personality whom no one, not even his closest friends, claimed to understand. The grandson of a slave, he dropped out of high school to become one of the world’s most famous musicians, a showman of incomparable suavity who was as comfortable in Carnegie Hall as in the nightclubs where he honed his style. He wrote some fifteen hundred compositions, many of which, like “Mood Indigo” and “Sophisticated Lady,” remain beloved standards, and he sought inspiration in an endless string of transient lovers, concealing his inner self behind a smiling mask of flowery language and ironic charm. As the biographer of Louis Armstrong, Terry Teachout is uniquely qualified to tell the story of the public and private lives of Duke Ellington. Duke peels away countless layers of Ellington’s evasion and public deception to tell the unvarnished truth about the creative genius who inspired Miles Davis to say, “All the musicians should get together one certain day and get down on their knees and thank Duke.””
Chaplin: His Life and Art, by David Robinson
“David Robinson's definitive and monumental biography of Charlie Chaplin, the greatest icon in the history of cinema, who lived one of the most dramatic rags to riches stories ever told. Chaplin's life was marked by extraordinary contrasts: the child of London slums who became a multimillionaire; the on-screen clown who was a driven perfectionist behind the camera; the adulated star who publicly fell from grace after personal and political scandal. This engrossing and definitive work, written with full access to Chaplin's archives, tells the whole story of a brilliant, complex man. David Robinson is a celebrated film critic and historian who wrote for The Times and the Financial Times for several decades. His many books include World Cinema, Hollywood in the Twenties and Buster Keaton. 'A marvelous book . . . unlikely ever to be surpassed' Spectator.”
Manhattan Transfer, by John Dos Passos
“Manhattan Transfer is an American novel by John Dos Passos published in 1925. It focuses on the development of urban life in New York City from the Gilded Age to the Jazz Age as told through a series of overlapping individual stories. It is considered to be one of Dos Passos' most important works. The book attacks the consumerism and social indifference of contemporary urban life, portraying a Manhattan that is merciless yet teeming with energy and restlessness. The book shows some of Dos Passos' experimental writing techniques and narrative collages that would become more pronounced in his U.S.A. trilogy and other later works. The technique in Manhattan Transfer was inspired in part by James Joyce's Ulysses (1922) and T. S. Eliot's The Waste Land, and bears frequent comparison to the experiments with film collage by Soviet director Sergei Eisenstein. Sinclair Lewis described it as "a novel of the very first importance ... The dawn of a whole new school of writing." D. H. Lawrence called it "the best modern book about New York" he had ever read, describing it as "a very complete film ... of the vast loose gang of strivers and winners and losers which seems to be the very pep of New York." In a blurb for a European edition, Ernest Hemingway wrote that, alone among American writers, Dos Passos has "been able to show to Europeans the America they really find when they come here."”
Women of the 1920s: Style, Glamour, and the Avant-Garde, by Thomas Bleitner
“It was a time of unimagined new freedoms. From the cafés of Paris to Hollywood's silver screen, women were exploring new modes of expression and new lifestyles. In countless aspects of life, they dared to challenge accepted notions of a “fairer sex,” and opened new doors for the generations to come. What’s more, they did it with joy, humor, and unapologetic charm. Exploring the lives of seventeen artists, writers, designers, dancers, adventurers, and athletes, this splendidly illustrated book brings together dozens of photographs with an engaging text. In these pages, readers will meet such iconoclastic women as the lively satirist Dorothy Parker, the avant-garde muse and artist Kiki de Montparnasse, and aviation pioneer Amelia Earhart, whose stories continue to offer inspiration for our time. Women of the 1920s is a daring and stylish addition to any bookshelf of women's history.”
The Patriarch: The Remarkable Life and Turbulent Times of Joseph P. Kennedy, by David Nasaw
“In this magisterial new work The Patriarch, the celebrated historian David Nasaw tells the full story of Joseph P. Kennedy, the founder of the twentieth century's most famous political dynasty. Nasaw—the only biographer granted unrestricted access to the Joseph P. Kennedy papers in the John F. Kennedy Presidential Library—tracks Kennedy's astonishing passage from East Boston outsider to supreme Washington insider. Kennedy's seemingly limitless ambition drove his career to the pinnacles of success as a banker, World War I shipyard manager, Hollywood studio head, broker, Wall Street operator, New Deal presidential adviser, and founding chairman of the Securities and Exchange Commission. His astounding fall from grace into ignominy did not come until the years leading up to and following America's entry into the Second World War, when the antiwar position he took as the first Irish American ambassador to London made him the subject of White House ire and popular distaste. The Patriarch is a story not only of one of the twentieth century's wealthiest and most powerful Americans, but also of the family he raised and the children who completed the journey he had begun. Of the many roles Kennedy held, that of father was most dear to him. The tragedies that befell his family marked his final years with unspeakable suffering. The Patriarch looks beyond the popularly held portrait of Kennedy to answer the many questions about his life, times, and legacy that have continued to haunt the historical record. Was Joseph P. Kennedy an appeaser and isolationist, an anti-Semite and a Nazi sympathizer, a stock swindler, a bootlegger, and a colleague of mobsters? What was the nature of his relationship with his wife, Rose? Why did he have his daughter Rosemary lobotomized? Why did he oppose the Truman Doctrine, the Marshall Plan, the Korean War, and American assistance to the French in Vietnam? What was his relationship to J. Edgar Hoover and the FBI? Did he push his second son into politics and then buy his elections for him? In this pioneering biography, Nasaw draws on never-before-published materials from archives on three continents and interviews with Kennedy family members and friends to tell the life story of a man who participated in the major events of his times: the booms and busts, the Depression and the New Deal, two world wars and a cold war, and the birth of the New Frontier. In studying Kennedy's life, we relive with him the history of the American Century.”
Gloria Swanson: The Ultimate Star, by Stephen Michael Shearer
“Gloria Swanson defined what it meant to be a movie star, but her unforgettable role in Sunset Boulevard overshadowed the true story of her life. Now Stephen Michael Shearer sets the record straight in the first in-depth biography of the film legend. Swanson was Hollywood's first successful glamour queen. Her stardom as an actress in the mid-1920s earned her millions of fans and millions of dollars. Realizing her box office value early in her career, she took control of her life. Soon she was not only producing her own films, she was choosing her scripts, selecting her leading men, casting her projects, creating her own fashions, guiding her publicity, and living an extravagant and sometimes extraordinary celebrity lifestyle. She also collected a long line of lovers (including Joseph P. Kennedy) and married men of her choosing (including a French marquis, thus becoming America's first member of "nobility"). As a devoted and loving mother, she managed a quiet success of raising three children. Perhaps most important, as a keen businesswoman she also was able to extend her career more than sixty years. Her astounding comeback as Norma Desmond in Billy Wilder's Sunset Boulevard catapulted her back into the limelight. But it also created her long-misunderstood persona, one that this meticulous biography shows was only part of this independent and unparalleled woman.”
Babe: The Legend Comes to Life, by Robert Creamer
“Babe Ruth is without a doubt the most famous character ever produced by the sport of baseball. A legendary player, world-famous for his hitting prowess, he transcended the sport to enter the mainstream of American life as an authentic folk hero. In this extraordinary biography, noted sportswriter Robert W. Creamer reveals the complex man behind the sports legend. From Ruth's early days in a Baltimore orphanage, to the glory days with the Yankees, to his later years, Creamer has drawn a classic portrait of an American original.”
Josephine: The Hungry Heart, by Jean-Claude Baker
“Based on twenty years of research and thousands of interviews, this authoritative biography of performer Josephine Baker (1906-1975) provides a candid look at her tempestuous life. Born into poverty in St. Louis, the uninhibited chorus girl became the sensation of Europe and the last century's first black sex symbol. A heroine of the French Resistance in World War II, she entranced figures as diverse as de Gaulle, Tito, Castro, Princess Grace, two popes, and Martin Luther King, Jr. Yet Josephine was also, as one critic put it, "a monster who made Joan Crawford look like the Virgin Mary." Jean-Claude Baker's book also reveals her outbursts that resulted in lasting feuds, her imperious treatment of family and entourage members, and her ambivalent attitudes concerning her ethnic background. Reconciling Josephine's many personas?Jazz-age icon, national hero of France, proponent of Civil Rights, mother of children from across the globe?Josephine: The Hungry Heart gives readers the inside story on a star unlike any other before or since.”
Jimmie Rodgers
“James Charles Rodgers (September 8, 1897 – May 26, 1933) was an American singer-songwriter and musician who rose to popularity in the late 1920s. Widely regarded as "the Father of Country Music" he is best known for his distinctive rhythmic yodeling. Unusual for a music star of his era, Rodgers rose to prominence based upon his recordings, among country music's earliest, rather than concert performances – which followed to similar public acclaim. He has been cited as an inspiration by many artists and inductees into various halls of fame across both country music and the blues, in which he was also a pioneer. Among his other popular nicknames are "The Singing Brakeman" and "The Blue Yodeler".”
Cole Porter, by William McBrien
“In his life and in his music, Cole Porter was the top—the pinnacle of wit and sophistication. From the 1910s through the ‘50s, from Yale pep rallies through the Broadway triumphs of Anything Goes and Kiss Me, Kate, he delighted audiences with a glittering torrent of song: “I Get a Kick Out of You.” “Night and Day,” “Love for Sale,” and “Just One of Those Things.” The bright surface of these gems—their catchy melodies and ingenious lyrics—made them instant pop hits. Their more subtle qualities and their musical and emotional depth have made them lasting standards, among the greatest glories of the American songbook. In Cole Porter, William McBrien has thoroughly captured the creator of these songs, whose life was one not only of wealth and privilege but also of tragedy, secrecy, and courage. A prodigal young man, Porter found his aesthetic and emotional anchor in a long, loving, if sexless marriage, while continuing to maintain many discreet affairs with men. In 1937, at the height of his success, he suffered a near-fatal riding accident; his last eighteen years were marked by pain, drugs, and repeated operations on his legs, years of physical agony but unstinting artistic achievement. Here is the book that Porter’s fans have long hoped for—a life that informs the great music and lyrics though illuminating glimpses of the hidden, complicated, private man.”
Amelia Lost: The Life and Disappearance of Amelia Earhart, by Candace Fleming
Eleanor, and Ben Franklin's Almanac—comes the thrilling story of America's most celebrated flyer, Amelia Earhart. In alternating chapters, Fleming deftly moves readers back and forth between Amelia's life (from childhood up until her last flight) and the exhaustive search for her and her missing plane. With incredible photos, maps, and handwritten notes from Amelia herself—plus informative sidebars tackling everything from the history of flight to what Amelia liked to eat while flying (tomato soup)—this unique nonfiction title is tailor-made for middle graders. Amelia Lost received four starred reviews and Best Book of the Year accolades from School Library Journal, Kirkus Reviews, Horn Book Magazine, the Washington Post, and the New York Times.”
Art Deco Complete: The Definitive Guide to the Decorative Arts of the 1920s, by Alastair Duncan
“Art Deco Complete is the last word in Art Deco, the most glamorous decorative arts style, and the one that shaped popular ideas of modern luxury. It covers furniture and interior decoration, sculpture, paintings, graphics, posters and bookbinding, glass, ceramics, lighting, textiles, metal work, and jewelry. It includes the work of all of the important Art Deco designers, from high-style French furniture makers to the creators of the popular “Streamline Moderne” style. And it is, in the spirit of Art Deco, a lavish and attractive book, as well as being authoritative and thorough. This 544-page volume includes more than 1,000 color images of classic Art Deco objects and spaces. Its author is the colorful and experienced Alastair Duncan, who was for many years the expert who ran the twentieth-century decorative arts department at Christie’s in New York. Duncan is the author of many well-known books on Art Deco and Art Nouveau. This book will stand as his monument to Art Deco.”
Capone: The Man and the Era, by Laurence Bergreen
“In this brilliant history of Prohibition and its most notorious gangster, acclaimed biographer Laurence Bergreen takes us to the gritty streets of Chicago where Al Capone forged his sinister empire. Bergreen shows the seedy and glamorous sides of the age, the rise of Prohibition, the illicit liquor trade, the battlefield that was Chicago. Delving beyond the Capone mythology. Bergreen finds a paradox: a coldblooded killer, thief, pimp, and racketeer who was also a devoted son and father; a self-styled Robin Hood who rose to the top of organized crime. Capone is a masterful portrait of an extraordinary time and of the one man who reigned supreme over it all, Al Capone.”
The Collected Poems of Langston Hughes, by Langston Hughes (Author) and Arnold Rampersad (Editor)
“Here, for the first time, are all the poems that Langston Hughes published during his lifetime, arranged in the general order in which he wrote them. Lyrical and pungent, passionate and polemical, the result is a treasure of a book, the essential collection of a poet whose words have entered our common language. The collection spans five decades, and is comprised of 868 poems (nearly 300 of which never before appeared in book form) with annotations by Arnold Rampersad and David Roessel. Alongside such famous works as "The Negro Speaks of Rivers" and “Montage of a Dream Deferred,” The Collected Poems includes Hughes's lesser-known verse for children; topical poems distributed through the Associated Negro Press; and poems such as "Goodbye Christ" that were once suppressed.”
George Gershwin
““George Gershwin (born Jacob Bruskin Gershowitz; September 26, 1898 – July 11, 1937) was an American composer and pianist, whose compositions spanned both popular and classical genres. Among his best-known works are the orchestral compositions Rhapsody in Blue (1924) and An American in Paris (1928), the songs "Swanee" (1919) and "Fascinating Rhythm" (1924), the jazz standard "I Got Rhythm" (1930), and the opera Porgy and Bess (1935), which gave birth to the hit "Summertime".”
The Okeh Ellington (CD), Duke Ellington and His Orchestra
“Digesting the music of Duke Ellington's revolutionary "jungle" period is a complicated pursuit because he recorded multiple arrangements for a number of labels between 1927 and 1932. Sony owns his OKeh and Columbia cuts (found on these two CDs), BMG owns his Victor sides, and Decca owns his Brunswick and Vocalion work (issued on the three-CD Early Ellington). All of them contain readings of standout compositions like "Black and Tan Fantasy," "East St. Louis Toodle-oo," "Black Beauty," "The Mooche," "Mood Indigo," and "Rockin' in Rhythm." The OKeh package lacks versions of "Solitude" and "Creole Love Call," but offers some noteworthy exclusives: superb solo stride-piano versions of "Black Beauty" and "Swampy River"; Jabbo Smith's wonderful trumpet solo on a 1927 version of "Black and Tan Fantasy" as a game-day replacement for "indisposed" co-composer Bubber Miley; and the first recording of "The Mooche," with Miley in control and guitarist Lonnie Johnson augmenting an already formidable lineup that includes Tricky Sam Nanton, Barney Bigard, Harry Carney, and Johnny Hodges. Even when a star like trumpet-growl pioneer Miley moved on, Cootie Williams would more than fill the gap. Musically, Ellington brought jazz to new levels of sophistication, complexity, and emotional depth during this first great period, synthesizing the classic New Orleans sound with a vibrant theatrical element and a dynamic rhythmic impulse.”
Lindbergh, by A. Scott Berg
“Bestselling author and National Book Award winner A. Scott Berg is the first and only writer to be given unrestricted access to the massive Lindbergh archives--more than two thousand boxes of personal papers, including reams of unpublished letters and diaries--and to be allowed freely to interview Lindbergh's friends, colleagues, and family members, including his children and his widow, Anne Morrow Lindbergh. The result is a brilliant biography that clarifies a life-long blurred by myth and half-truth. From the moment he landed in Paris on May 21, 1927, Lindbergh found himself thrust on an odyssey for which he was ill-prepared--becoming the first modern media superstar, deified and demonized many times over in a single lifetime. Berg casts dramatic new light on the lonely, sometimes twisted childhood that formed the aviator's character; the astonishing transatlantic flight and thrilling, then overwhelming aftermath; the controversies surrounding the trial of his son's kidnapper, Lindbergh's fascination with Hitler's Germany and his leadership of America First; his remarkable unsung work in the fields of medical research, rocketry, anthropology, and conservation; and, at the heart of it all, his fascinating, complex marriage to Anne Morrow Lindbergh, a relationship filled with sudden joy and bitter darkness. In all, it is a most compelling story of a most significant life--the most private of public figures finally revealed with a sweep and detail never before possible. In the skilled hands of A. Scott Berg, this is Lindbergh the hero--and Lindbergh the man.”
Mickey Mouse
“Mickey Mouse is a cartoon character created in 1928 by The Walt Disney Company, who also serves as the brand's mascot. An anthropomorphic mouse who typically wears red shorts, large yellow shoes, and white gloves, Mickey is one of the world's most recognizable fictional characters. Created as a replacement for a prior Disney character, Oswald the Lucky Rabbit, Mickey first appeared in the short Plane Crazy, debuting publicly in the short film Steamboat Willie (1928), one of the first sound cartoons. He went on to appear in over 130 films, including The Band Concert (1935), Brave Little Tailor (1938), and Fantasia (1940). Mickey appeared primarily in short films, but also occasionally in feature-length films. Ten of Mickey's cartoons were nominated for the Academy Award for Best Animated Short Film, one of which, Lend a Paw, won the award in 1942. In 1978, Mickey became the first cartoon character to have a star on the Hollywood Walk of Fame.”
Rainbow’s End: The Crash of 1929 (Pivotal Moments in American History), by Maury Klein
“Rainbow's End tells the story of the stock market collapse in a colorful, swift-moving narrative that blends a vivid portrait of the 1920s with an intensely gripping account of Wall Street's greatest catastrophe. The book offers a vibrant picture of a world full of plungers, powerful bankers, corporate titans, millionaire brokers, and buoyantly optimistic stock market bulls. We meet Sunshine Charley Mitchell, head of the National City Bank, powerful financiers Jack Morgan and Jacob Schiff, Wall Street manipulators such as the legendary Jesse Livermore, and the lavish-living Billy Durant, founder of General Motors. As Klein follows the careers of these men, he shows us how the financial house of cards gradually grew taller, as the irrational exuberance of an earlier age gripped America and convinced us that the market would continue to rise forever. Then, in October 1929, came a "perfect storm"-like convergence of factors that shook Wall Street to its foundations. We relive Black Thursday, when police lined Wall Street, brokers grew hysterical, customers "bellowed like lunatics," and the ticker tape fell hours behind. This compelling history of the Crash--the first to follow the market closely for the two years leading up to the disaster--illuminates a major turning point in our history.”
